Beyerdynamic DT 275 Pro

Design and Comfort

The bottom line: The DT 275 Pro is pleasantly light and handy, made primarily from plastic, and has a snug fit without pinching. For larger heads, though, the on-ears might run too small.

At 200 grams, the Beyerdynamic DT 275 Pro is pleasantly light and feels handy thanks to its on-ear format. The model doesn’t fold up for transport, but the earpieces fit into a backpack without issue. Made primarily from plastic, the on-ears feel sturdy and cleanly built, and, as with the higher-priced models, the headband and ear pads can be swapped out. That said, the DT 275 Pro doesn’t carry a “Made in Germany” label the way the over-ear studio classic Beyerdynamic DT 770 Pro (see review) does, since manufacturing takes place in China.

The fit runs snug rather than loose, so the compact on-ears don’t slip during fast, jerky movements and stay firmly in position. At the same time, the earpieces stay comfortable to wear even over several hours, which was executed very well. A clear advantage of the closed, on-ear construction here is the low heat buildup. The adjustability of the tiltable, swiveling cups is also flawless. What seems a bit unusual, though, is the headband’s size adjustment, which could run too tight for larger head sizes.

Connections on Both Sides

The bottom line: A nice touch: the single-sided cable routing can run on the left or right side as needed.

It’s practical that the Beyerdynamic DT 275 Pro has no fixed cable and that both earcups feature jacks for cable attachment. The single-sided cable routing can therefore run on the left or right side as needed. Included is a coiled cable with a 3.5 mm jack, measuring 1.5 meters and locking in place so it can’t come loose on its own. A 6.35 mm adapter and a carrying pouch are also included.

High Isolation

The bottom line: The DT 275 Pro’s isolation is first-class, and better than many comparable on-ear and over-ear models.

The closed on-ears deliver first-class results when it comes to isolation. In practical testing, the DT 275 Pro had to hold its own against over-ear systems like the established DT 770 Pro and the Adam Audio H200 (see review), and it did so with flying colors. Even against the Sennheiser HD 25 (see review), brought in for a direct on-ear comparison, the DT 275 Pro came out ahead on isolation in a loud environment and surprisingly clearly took the best score in the field.

Considerable Headroom

The bottom line: The headroom is more than generous, which is an advantage on mobile devices but also carries risks if the volume setting isn’t checked.

For studio headphones, the Beyerdynamic DT 275 Pro is fairly easy to drive, which is an advantage with mobile devices. Even from the standard headphone jack on a MacBook Air, the on-ears can get properly loud. Here too, the on-ears leave the three previously mentioned comparison models behind and offer the highest headroom, which also carries risks.

Once you’re on an audio interface or a dedicated headphone amp, seemingly low settings can already reach hearing-damaging listening volumes. Paired with the Apogee Groove (see review), for example, the DT 275 Pro kicks into a full-blown party at just 17 percent (!) volume when streaming from Qobuz. So always turn the dial down or check the volume setting on your device before starting playback. Your ears will thank you!

Sound

The bottom line: The DT 275 Pro impresses with powerful yet well-defined bass and aims for a very direct, catchy sound. What you might miss are treble presence and more width in the presentation.

The Beyerdynamic DT 275 Pro is tuned powerfully and aims for a very direct, engaging sound that pulls you in and is a lot of fun. Noticeable, though, is that the stereo image comes across fairly narrow, and the sense of space also feels limited for a studio headphone, which live albums illustrate well. The differences are especially clear compared directly to the DT 770 Pro (32-ohm version).

That said, the Beyerdynamic DT 275 Pro can benefit from switching to a stationary headphone amp like the Lehmann Audio Linear, since the presentation gains both width and depth compared to mobile use.

On tracks like “Goulou Marhaba” by Acid Arab (Resonance, 2026), the DT 275 Pro paired with the Apogee Groove hits its stride and delivers impressive bass reproduction. The powerful low end reaches deep and has a spectacular effect, since there’s not an ounce of excess mass, just enough to build proper punch. Switching to the HD 25, the bass comes across slightly richer, but not as controlled and precise. That’s a real showpiece!

The midrange leaves a mixed impression. On densely packed arrangements like “Be Great (feat. Trombone Shorty)” by Jill Scott (To Whom This May Concern, 2026), playback feels overloaded, somewhat undifferentiated, and dull, something the two over-ear models (DT 770 Pro and H200) clearly handle better. On the other hand, the clean, forward presentation of vocals can be a strength. The dual vocals on “I’m Yours” by Tricky (Different When It’s Silent, 2026), for example, come across very clear and well-defined.

A certain flaw of the Beyerdynamic DT 275 Pro turns out to be its lack of treble. As a result, playback sounds warm, gentle, and pleasant, but rather uncritical for a studio headphone. Overshoots in the treble range aren’t easy to spot, since the on-ears tend toward an unusually restrained presentation. While the spoken vocals on “Falling Together” by Jamie xx (In Waves, 2024) noticeably sibilate at times on the DT 770 Pro and H200 as well as on the HD 25, the DT 275 Pro sounds surprisingly relaxed at normal listening levels.

Critical listening and evaluation, in other words, prove rather difficult. The immediate, bass-heavy sound is much better suited to creative work, from beat programming all the way to DJing, and at a high level too.

Conclusion

The Beyerdynamic DT 275 Pro has several standout qualities to offer at once: high isolation, considerable headroom, and impressive, punchy bass. Thanks to its very direct, engaging sound, it’s an ideal fit for DJ use, live electronic acts, and creative work. But also for mobile recording, where the light, handy form factor comes in handy. Flexibility is further enhanced by the on-ears’ connections on both sides.

FAQ

Is the Beyerdynamic DT 275 Pro suited for DJs and live use?
Yes, thanks to high isolation, punchy bass, and considerable headroom, the DT 275 Pro is particularly well suited for DJ use and live electronic acts.

Are the ear and headband pads on the Beyerdynamic DT 275 Pro replaceable?
Yes, as with the higher-priced Beyerdynamic models, both the ear pads and the headband pad can be swapped out.

Is the Beyerdynamic DT 275 Pro made in Germany?
No, unlike the DT 770 Pro, for example, the DT 275 Pro doesn’t carry a “Made in Germany” label, since manufacturing takes place in China.

Which side can the cable be connected to on the Beyerdynamic DT 275 Pro?
Both earcups feature jacks for cable attachment, so the single-sided cable routing can run on either the left or right side.

Does the Beyerdynamic DT 275 Pro fold up?
No, there’s no folding mechanism, but the on-ears fit into a backpack without issue.

Does the Beyerdynamic DT 275 Pro fit larger heads?
To a limited extent — the headband’s size adjustment runs on the tight side, so it could reach its limits for larger head sizes.

Technical Specifications of the Beyerdynamic DT 275 Pro

Driver Type

Dynamic

Design

Closed-back (on-ear)

Frequency Response

5–24,000 Hz (-10 dB)

Impedance

45 ohms

Sound Pressure Level

105 dB

Total Harmonic Distortion

< 0.04%

Ambient Noise Attenuation

22 dBA

Weight (without cable, spec sheet)

195 g

Weight (with cable)

275 g

Price (MSRP)

€119

In the Box

Studio headphones, 1.5 m coiled cable with 3.5 mm jack, 6.35 mm adapter, carrying pouch